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Description
This exquisite bracelet is inspired by the splendour of Persian architecture and the tale of The Seven Princesses, written in 1197 by the renowned poet Nizami Ganjavi. The intricate patterns, created using the architectural principle of "Panj Kase" (the five concaves), are reimagined into modular elements, enriched with geometrical shapes formed by custom-cut purple unheated sapphires and fancy-shaped diamonds. These repeating elements are harmoniously interrupted by five central purple gemstones, totalling 7.16 carats, all certified, which stand out not only due to their setting but also visually and chromatically. This effect is enhanced by geometrical sidelines set with green tsavorites. The bracelet also features over 20 carats of smaller natural purple sapphires, 10 hexagonal baguette white diamonds totalling approximately 2.43 carats, and nearly 3 carats of tsavorites.
The contrast between the purple and green hues has not been chosen randomly; it follows the designer’s precise vision. These two colours are complementary, with one accentuating the vibrancy of the other. Purple, the colour of luxury, aristocracy, and creativity, embodies extravagance, mystery, and spirituality. It connects one with the energy of the universe, with the lighter shade symbolising feminine energy, while the darker tone of the larger stones suggests nobility and wealth. Green, conversely, represents nature's fertility and harmony, and its healing power fosters calmness, as well as both financial and personal growth. It is the most restful colour for the human eye, aiding relaxation and focus.
The bracelet is completed with a diamond-encrusted chain, which ensures wearability across various wrist sizes, and a custom-designed lobster clasp that echoes the shape of Persian architecture. The chain ends with a gem-encrusted motif, again inspired by similar patterns.
At first glance, the stylised forms of the gold parts may appear deceptively simple, yet when turned, the complexity of the patterns becomes apparent. The intricate lozenge-like geometrical and volumetric sections draw inspiration from the architectural "nervures" and precious ribs that adorn groined vaults, the contours of remarkable oriental arches, and the lavish Qajar buildings, with their ornate roofs and domes of awe-inspiring mosques.
The inspiration card accompanying the bracelet features a painting by the famous Persian artist Mahmood Farshchian, where the dominant purple hue portrays a reclining woman, lavished by her prince. To the top left of the card, there are details of the Pink Mosque of Shiraz, completed in 1888, named for the large number of pink tiles adorning its rooms and corridors. The building's colourful arches are filled with magnificent geometric tile work, which becomes even more striking when the sun's rays hit the glass windows, creating a mystical kaleidoscopic effect throughout the interiors. Another image depicts the intricate details of the Borujerdi House/Museum, built in 1857 in the Qajar style to celebrate the wealth of a Persian merchant from Kashan, Iran.